H.R. (Moran) · Rep. Nathaniel Moran (R-TX-1)
What are you claiming for?
A feature, a pilot, or a season of 4+ episodes.
Must exceed $1,000,000.
Cast, crew, directors, producers and writers, for work done in the US, including prep and post. Contractors count. Participations and residuals do not.
Animation counts the cost of US animation work instead.
The credit is transferable under IRC §6418, like the clean-energy credits. Those trade at a discount, and this one would too.
HOUSE VS SENATE
Where the two texts differ.
We compared the two introduced texts word by word. The base rate, the 30% cap, the qualifying tests, the zone, independent and multi-state bonuses, and transferability are the same in both. These are the only substantive differences.
| Provision | Senate | House | Why it matters |
|---|---|---|---|
| When it starts | Productions “commencing” in tax years beginning after Dec 31, 2026. “Commencing” is not defined. | Productions whose principal photography commences in tax years beginning after Dec 31, 2026. | The House ties eligibility to a defined event. Under the Senate text a show in pre-production in 2026 could be argued either way. |
| Domestic-increase bonus: start year | The first tax year beginning after enactment. | The first tax year beginning after Dec 31, 2026, whenever the bill is enacted. | A late enactment pushes the Senate schedule back; the House schedule is fixed. |
| Domestic-increase bonus: threshold | No percentage for the start year; then 30%, 40%, and 50% for years three to five of the foreign base. After year five the percentage is 0. | 30% in the start year, 40% the next, 50% every year after. No end date. | The Senate bonus cannot be earned in the first year. After year five a 0% threshold arguably lets any taxpayer with a foreign base qualify just by not shrinking. That reads like a drafting slip meant as a sunset, and Treasury or a markup would have to settle it. |
| VFX and post projects in the increase count | Count toward the number of domestic productions. | Excluded from the count, so only full productions move the needle. | A studio could not reach the House threshold by buying US post work on foreign shoots. |
| Multi-state bonus scope | Applies to “all qualified film or television productions” for the year. | Applies to all qualified productions “completed in such taxable year.” | Little in practice: a production earns the credit only in the year it completes, under both texts. |
Drafting errors in both texts
- The VFX and post-production rules define “independent producer” by pointing to §45BB(d)(4)(B), which is the multi-state producer definition. The independent-producer definition is (d)(3)(B). We apply (d)(3)(B), which is plainly what is meant.
- The disaster-area test runs “5-year period beginning on the of the date” the President declared assistance warranted, with a word missing. We read it as five years from that date.
- The Senate text labels the post-production project definition “qualified visual effects production”. The House text corrects it to “qualified post-production project”.
Sources
- Sen. Schiff: joint release with bill text, one-pager and section-by-section
- Sen. Scott: introduction release
- Rep. Moran: House companion
Figures on this page come from the introduced bill text (new IRC §45BB), read against the sponsors' section-by-section summary. Bill numbers were not yet assigned when we published.
STAY CURRENT
Get the incentive brief.
A short, plain-language read on what these programs actually pay, what they demand in return, and where productions lose money. No cadence you didn't ask for.
